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An absorbing tale of fame, changing fortunes, and music, set in an alternative Victorian world, from the striking creator of Worldshaker

What if they'd invented rock 'n roll way back in the 19th century? What if it could take over the world and change the course of history? In the slums of Brummingham, the outcast gangs are making a new kind of music, with pounding rhythms and wild guitars. Astor Vance has been trained in refined classical music. But when her life plummets from riches to rags, the only way she can survive is to play the music the slum gangs want. Charismatic Verrol, once her servant, is now her partner in crime—and he could be so much more if only he'd come clean about his mysterious past.

• Sales Rank: #3116330 in Books
• Published on: 2014-12-01
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x 5.25" w x 1.25" l, .0 pounds
• Binding: Paperback
• 378 pages

Review
"This is gaslight fantasy at its best."  —Kate Forsyth, author, The Tower of Ravens

“. . . Australian author Harland’s gaslight romance remains engaging and will hold readers’ attention to its suspenseful end.”  —Booklist

About the Author
Richard Harland is a fantasy, steampunk, SF, and horror author. His books include Worldshaker and Liberator. He has won six Aurealis Awards in Australia and the prestigious Tam Tam Je Bouquine Award in France.

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0 of 0 people found the following review helpful.
None
By Felicity Banks
Richard Harland always brings the goods. This time he blows the reader away with a gritty reboot of rock and roll's origin story.

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From personal loss to phantom diseases, The Empathy Exams is a bold and brilliant collection, winner of the Graywolf Press Nonfiction Prize

A Publishers Weekly Top Ten Essay Collection of Spring 2014

Beginning with her experience as a medical actor who was paid to act out symptoms for medical students to diagnose, Leslie Jamison's visceral and revealing essays ask essential questions about our basic understanding of others: How should we care about each other? How can we feel another's pain, especially when pain can be assumed, distorted, or performed? Is empathy a tool by which to test or even grade each other? By confronting pain―real and imagined, her own and others'―Jamison uncovers a personal and cultural urgency to feel. She draws from her own experiences of illness and bodily injury to engage in an exploration that extends far beyond her life, spanning wide-ranging territory―from poverty tourism to phantom diseases, street violence to reality television, illness to incarceration―in its search for a kind of sight shaped by humility and grace.

• Sales Rank: #15578 in Books
• Published on: 2014-04-01
• Released on: 2014-04-01
• Original language: English
• Number of items: 1
• Dimensions: 8.21" h x .67" w x 5.56" l, .70 pounds
• Binding: Paperback
• 256 pages

From Booklist
*Starred Review* Jamison wrote about “wounded women” in her powerful novel, The Gin Closet (2010), and she pursues that subject in this collection of gutsy essays. But the line of inquiry that connects these riveting works of acute description and exacting moral calculus, these amalgams of memoir and risky investigative adventures is Jamison’s attempt to discern and define empathy in diverse and dicey situations. She begins with an account of her experiences working as a “medical actor,” performing as patients with baffling ailments that medical students must diagnose, encounters that deliver the realization that empathy requires humility and imagination. She discloses her own medical travails and asks, “When does empathy actually reinforce the pain it wants to console?” Jamison’s mission to put empathy to the test is more covert and even more provocative in her wrenching chronicles of drug-war-ravaged Mexico; Nicaragua, where a man attacks her and breaks her nose; a silver mine in Bolivia; and a “Gang Tour” in Los Angeles—explorations that inject guilt into the equation. A tough, intrepid, scouring observer and vigilant thinker, she generates startling and sparking extrapolations and analysis. On the prowl for truth and intimate with pain, Jamison carries forward the fierce and empathic essayistic tradition as practiced by writers she names as mentors, most resonantly James Agee and Joan Didion. --Donna Seaman

Review

“Extraordinary. . . . she calls to mind writers as disparate as Joan Didion and John Jeremiah Sullivan as she interrogates the palpitations of not just her own trippy heart but of all of ours. . . . Her cerebral, witty, multichambered essays tend to swing around to one topic in particular: what we mean when we say we feel someone else's pain. . . . I'm not sure I'm capable of recommending a book because it might make you a better person. But watching the philosopher in Ms. Jamison grapple with empathy is a heart-expanding exercise.” ―Dwight Garner, The New York Times

“Extraordinary and exacting. . . . This capacity for critical thinking, for a kind of cool skepticism that never gives way to the chilly blandishments of irony, is very rare. It's not surprising that Jamison is drawing comparisons to Sontag. . . . There is a glory to this kind of writing that derives as much from its ethical generosity, the palpable sense of stretch and reach, as it does from the lovely vividness of the language itself. . . . It's hard to imagine a stronger, more thoughtful voice emerging this year.” ―The New York Times Book Review

“Jamison writes with sober precision and unusual vulnerability, with a tendency to circle back and reexamine, to deconstruct and anticipate the limits of her own perspective, and a willingness to make her own medical and psychological history the objects of her examinations. Her insights are often piercing and poetic.” ―The New Yorker, "Books to Watch Out For"

“This quirky, insightful collection dazzles.” ―People

“If reading a book about [pain] sounds . . . painful, rest assured that Jamison writes with such originality and humor, and delivers such scalpel-sharp insights, that it's more like a rush of pleasure. . . . To articulate suffering with so much clarity, and so little judgement, is to turn pain into art.” ―Entertainment Weekly, Grade: A-

“A virtuosic manifesto of human pain. . . . Jamison stitches together the intellectual and the emotional with the finesse of a crackerjack surgeon. . . . The result is a soaring performance on the humanizing effects of empathy.” ―NPR

“Extraordinary. . . . Much of the intellectual charge of Jamison's writing comes from the sense that she is always looking for ways to examine her own reactions to things; no sooner has she come to some judgment or insight than she begins searching for a way to overturn it, or to deepen its complications. She flinches, and then she explores that flinch with a steady gaze. . . . [A] beautiful and punishing book.” ―Slate

“A brilliant collection. . . . We're in a new golden age of the essay . . . and in The Empathy Exams Leslie Jamison has announced herself as its rising star.” ―The Boston Globe

“Remarkable. . . . [Jamison] combines the intellectual rigor of a philosopher, the imagination of a novelist and a reporter's keen eye for detail in these essays, which seamlessly blend reportage, cultural criticism, theory and memoir.” ―Los Angeles Times

“A stunning collection. . . . a profound investigation of empathy's potential and its limits.” ―Cosmopolitan, "10 Books by Women You Have to Read This Spring"

“[Jamison] writes consistently with passion and panache; her sentences are elegantly formed, her voice on the page intimate and insistent. Always intelligent, self-questioning, willing to experiment with form, daring to engage with the weird and thrust herself into danger spots, a patient researcher and voracious processor of literature and critical theory, she is the complete package: state-of-the-art nonfiction.” ―Phillip Lopate, San Francisco Chronicle

“[Jamison] writes with intellectual precision and a deep emotional engagement. . . . The Empathy Exams is a gracefully powerful attempt by a tremendously talented young writer to articulate the ways in which we might all work to become better versions of ourselves.” ―Star Tribune

“Jamison is determined to tell us what she sees and thinks without condescension or compromise, and as a consequence her act of witnessing is moving, stimulating, and disturbing in equal measure. . . . Jamison is always interesting, often gripping.” ―Bookforum

“The Empathy Exams is a work of tremendous pleasure and tremendous pain. Leslie Jamison is so intelligent, so compassionate, and so fiercely, prodigiously brave. This is the essay at its creative, philosophical best.” ―Eleanor Catton, author of The Luminaries, winner of the 2013 Man Booker Prize

“Leslie Jamison threads her fine mind through the needle of emotion, sewing our desire for feeling to our fear of feeling. Her essays pierce both pain and sweetness.” ―Eula Biss

“Leslie Jamison has written a profound exploration into how empathy deepens us, yet how we unwittingly sabotage our own capacities for it. We care because we are porous, she says. Pain is at once actual and constructed, feelings are made based on how you speak them. This riveting book will make you a better writer, a better human.” ―Mary Karr

“The Empathy Exams is a necessary book, a brilliant antidote to the noise of our time. Intellectually rigorous, it's also plainly personal, honest and intimate, clear-eyed about its confusions. It's about the self as something other than a bundle of symptoms, it's about female pain and the suffering of solitary souls everywhere, it's an exploration of empathy and the poverty of our imaginations, it's ultimately about the limits of language and the liberating possibilities of a whole new narrative. . . . The Empathy Exams earns its place on the shelf alongside Sontag.” ―Charles D'Ambrosio

“These essays--risky, brilliant, and full of heart--ricochet between what it is to be alive and to be a creature wondering what it is to be alive. Jamison's words, torqued to a perfect balance, shine brightly, allowing both fury and wonder to open inside us.” ―Nick Flynn

“Leslie Jamison positions herself in one fraught subject position after the next: tourist in the suffering of others, guilt-ridden person of privilege, keenly intelligent observer distrustful of pure cleverness, reclaimer and critic of female suffering, to name but a few. She does so in order to probe her endlessly important and difficult subject--empathy, for the self and for others--a subject this whirling collection of essays turns over rock after rock to explore. Its perambulations are wide-ranging; its attentiveness to self and others, careful and searching; its open heart, true.” ―Maggie Nelson

“Leslie Jamison writes with her whole heart and an unconfined intelligence, a combination that gives The Empathy Exams--an inquiry into modern ways and problems of feeling--a persuasive, often thrilling authority. These essays reach out for the world, seeking the extraordinary, the bizarre, the alone, the unfeeling, and finding always what is human.” ―Michelle Orange

“Brilliant. At times steel-cold or chili-hot, [Jamison] picks her way through a society that has lost its way, a voyeur of voyeurism. Here now comes the post-Sontag, post-modern American essay.” ―Ed Vulliamy, author of Amexica: War Along the Borderline

“When we chance upon a work and a writer who summons and dares the full tilt of all her volatile resources, intellectual and emotional, personal and historical, the effect is, well, disorienting, astonishing. We crash into wonder, as she says, and the span of topics Jamison tosses up is correspondingly smashing and wondrous: medical actors, sentimentality, violence, plastic surgery, guilt, diseases, the Barkley Marathons, stylish 'ex-votos' for exemplary artists, incarceration, wounds, scars, fear, yearning, community, and the mutations of physical pain.” ―Robert Polito, from his Afterword

About the Author

Leslie Jamison is the author of a novel, The Gin Closet, which was a finalist for the Los Angeles Times Art Seidenbaum Award for First Fiction. Her essays have appeared in Believer, Harper's Magazine, Oxford American, and Tin House. She lives in New Haven, Connecticut.

Most helpful customer reviews

52 of 56 people found the following review helpful.
Terrific collection
By Michael Czobit
Leslie Jamison's "The Empathy Exams" has deservedly been praised by critics, but that's not what brought me to buying and reading it. I'd read some of the essays here in various publications. Before you buy the book, I recommend a quick Google search to find one or two of the essays floating around the 'net; read those and you'll get a good idea if you want to continue with Jamison for a full book. I hope you do; it's a terrific collection, as I said.

74 of 83 people found the following review helpful.
Am I the only person who didn't like this?
By Kara
The more concrete essays (like the one about Morgellons disease or the one about the Barkley Marathons) are quite good. The rest of them are well-written, but I couldn't get past the author's tone. And I can't even quite put my finger on it, but let me try.

Jamison says, "Part of me has always craved a pain so visible--so irrefutable and physically inescapable--that everyone would have to notice."

Pain is a very personal thing, and these are a bunch of essays about different kinds of pain. And no matter whose pain it ultimately is, Jamison finds a way to turn it around and bring it back to her. Even in the Morgellons disease essay, she ends basically wondering if she herself has Morgellons. I didn't care for this. It feels like appropriation.

Sure, Jamison addresses this almost directly in her last essay, and sure, maybe I'm one of those people who don't feel comfortable with the expression of pain, but all that means is that I didn't find the book as enjoyable as I wanted to.

79 of 94 people found the following review helpful.
"Everyone who is born holds dual citizenship, in the kingdom of the well and in the kingdom of the sick."
By Amelia Gremelspacher
This quote by Susan Sontag serves as a central tenet of this book of essays. Jamison's intent is to explore the ways that empathy allows each of us to understand the pain of the other as a part of your own. In accepting that merging of her boundaries, she learns the underlying unity of pain. "No trauma has discrete edges" within the person. But also trauma cannot occur in isolation.

I respect the underlying premise of these essays, and I think the goal is reached in pockets of Jamison's prose. However her line of thought is often distorted or too broadly amorphous. The language is not easy to read in a sitting. Ease of transition is not a necessary element for me in judging writing, however she can be just too confusing. I understand the trope she is painting as the observed sufferers are seen as part of the observer, but it is often done in too abrupt a transition. Although her intent is clearly not to offer her own pain as primary or unique, it appears often enough to be tiring and ultimately overdone.

The topics of the essays are in fact quite fascinating in scope. She explores such diverse topics as those people who act as patients to train medical students to sufferers of the rare and controversial Morgollons disease in which people find crystals and threads emerging from within them. The chopping of the chapters with her philosophical musings tend to lead the mind off the frame of the topic rather than more deeply in exploration. All in all it felt as if she just couldn't get out of her own way which is a shame because this book held a lot of promise..

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• Sales Rank: #9321409 in Books
• Published on: 2007-08-23
• Dimensions: 10.50" h x .6" w x 8.25" l,
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• 26 pages

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America, with all its warts, lies naked under the laser-like scrutiny of legendary outlaw journalist and brilliant reporter Hunter S. Thompson. Fearlessly, he hurls himself into each assignment, gouges out the truth, then returns with a fresh story no one else on earth could write. From Nixon to napalm, Las Vegas to Watergate, Carter to cocaine, hippies to himself, Thompson's razor-sharp insight and crystal clarity capture the crazy, hypocritical, degenerate, and redeeming aspects of the explosive and colorful '60s and '70s. Thompson is a rebel and an artist, and we are all richer for it.
"No other reporter reveals how much we have to fear and loathe, yet does it so hilariously."
-- Chicago Tribune

• Sales Rank: #150677 in Books
• Brand: Brand: Summit Books
• Published on: 1979
• Ingredients: Example Ingredients
• Number of items: 1
• Binding: Hardcover
• 602 pages

Features

• Used Book in Good Condition

Amazon.com Review
In addition to being a testament to the undeniably beatifying properties of American excess--literary, political, chemical, you name it--Hunter Thompson is the high priest of the ad hominem attack. Anyone unlucky enough to get in the way of his satirical sledgehammer will end up with soup for brains. Still, even Thompson needs a good villain to get properly lathered up; that's why he peaked simultaneously with America's 37th president, Richard Milhous Nixon. Tricky Dick was Thompson's dark-jowled, pale-calved Muse, and with his departure Thompson seemed to lose his place a bit. Swatting flies with a baseball bat.

You need look no further for this writer's best: this collection of pieces, first published in 1979, spans all of Thompson's primo era, including short pieces and selections from longer works. The Great Shark Hunt sports a few articles filed by a pre-Gonzo Hunter S. Thompson, which show flickers of passion but no real fire; the first experiments with the author's drug-fueled brand of journalism at the Kentucky Derby; and finally the gigs that made him an American institution, in Las Vegas and on the 1972 campaign trail.

Thompson's style is so unique that a reader is tempted to think that he leapt, fully formed, into Gonzohood. However, along with the crazy, careening prose itself, one of the auxiliary pleasures of The Great Shark Hunt is the map that it gives of Thompson's ascent (or descent, if you prefer) from the workaday hyperbole of sports writing to the hell-blast vigor of his later work. The drugs are, by and large, a distraction--lifestyle points that get in the way of the genuinely perceptive journalism that Thompson created. (But they are there, always, and in quantity.) If you're looking for insight into the underbelly of America, Hunter S. Thompson is your best and only guide, and The Great Shark Hunt is an excellent place to begin the grim safari. --Michael Gerber

Review
The Washington Post He amuses; he frightens; he flirts with doom. His achievement is substantial.

From the Inside Flap
America, with all its warts, lies naked under the laser-like scrutiny of legendary outlaw journalist and brilliant reporter Hunter S. Thompson. Fearlessly, he hurls himself into each assignment, gouges out the truth, then returns with a fresh story no one else on earth could write. From Nixon to napalm, Las Vegas to Watergate, Carter to cocaine, hippies to himself, Thompson's razor-sharp insight and crystal clarity capture the crazy, hypocritical, degenerate, and redeeming aspects of the explosive and colorful '60s and '70s. Thompson is a rebel and an artist, and we are all richer for it.
"No other reporter reveals how much we have to fear and loathe, yet does it so hilariously."
-- Chicago Tribune

Most helpful customer reviews

13 of 13 people found the following review helpful.
Present At the Creation
By Alfred Johnson
In a review of Hunter Thompson's later journalistic work compiled under the title , Song Of The Doomed, a retrospective sampling of his works through the early 1990s, many of the early pieces which appeared in the pages of Rolling Stone magazine during its more radical, hipper phase, I noted the following points that are useful to repost here in reviewing The Great Shark Hunt, an earlier, similar compilation of his journalistic pieces:

"Generally the most the trenchant social criticism, commentary and analysis complete with a prescriptive social program ripe for implementation has been done by thinkers and writers who work outside the realm of bourgeois society, notably socialists, like Karl Marx. Vladimir Lenin, and Leon Trotsky and other less radical progressive thinkers. Bourgeois society rarely allows itself, in self-defense if nothing else, to be skewered by trenchant criticism from within. This is particularly true when it comes from a man of big, high life appetites, a known dope fiend, a furious wild man gun freak, and all-around edge city lifestyle addict like the late, massively lamented, massively lamented in this quarter in any case, Dr. Hunter S. Thompson. Nevertheless, although he was far, very far, from any thought of a socialist solution to society's current problems and would reject such a designation, I think out of hand, we could travel part of the way with him. We saw him as a kindred spirit. He was not one of us-but he was one of us. All honor to him for pushing the envelope of mad truth-seeking journalism in new directions and for his pinpricks at the hypocrisy of bourgeois society. Such men are dangerous.

I am not sure whether at the end of the day Hunter Thompson saw himself, or wanted to been seen, as a voice, or the voice, of his generation but he would not be an unworthy candidate. In any case, his was not the voice of the generation of 1968, my generation, being just enough older to have been formed by an earlier, less forgiving milieu, coming of adult age in the drab Cold War, red scare, conformist 1950s that not even the wildly popular Mad Men can resurrect as a time which honored fruitful and edgy work, except on the coastal margins of society. His earlier writings show that effect. Nevertheless, only a few, and with time it seems fewer in each generation, allow themselves to search for some kind of truth even if they cannot go the whole distance. This compilation under review is a hodgepodge of articles over the best part of Thompson's career, the part culminating with the demise of the arch-fiend, arch-political fiend, Richard Nixon. As with all journalists, as indeed with all writers especially those who are writing under the pressure of time-lines and for mass circulation media, these pieces show an uneven quality. Hunter's manic work habits, driven by high dope infusions and high-wire physical stress, only added to the frenzied corners of his work which inevitably was produced under some duress, a duress that drove his hard-boiled inner demons onward. However the total effect is to blast old bourgeois society almost to its foundations. Others, hopefully, will push on further.

One should note that "gonzo" journalism is quite compatible with socialist materialism. That is, the writer is not precluded from interpreting the events described within a story by interposing himself/herself as an actor in that story. The worst swindle in journalism, fostered by the formal journalism schools, as well as in the formal schools of other disciplines like history and political science, is that somehow one must be `objective'. Reality is better served if the writer puts his/her analysis correctly and then gets out of the way. In his best work that was Hunter's way.

As a member of the generation of 1968 I would note that the period covered by this compilation was a period of particular importance in American history, the covering of which won Hunter his spurs as a journalist. Hunter, like many of us, cut his political teeth on wrestling with the phenomena of one Richard Milhous Nixon, at one time President of the United States, all-around political chameleon and off-hand common criminal. His articles beginning in 1968 when Nixon was on the rising curve of his never ending "comeback" trail to his fated (yes, fated) demise in the aftermath of the Watergate are required reading (and funny to boot). Thompson went out of his way, way out of his way, and with pleasure, skewering that man when he was riding high. He was moreover just as happy to kick Nixon when he was down, just for good measure. Nixon, as Robert Kennedy in one of his more lucid comments noted, represented the "dark side" of the American spirit- the side that appears today as the bully boy of the world and as craven brute. If for nothing else Brother Thompson deserves a place in the pantheon of journalistic heroes for this exercise in elementary political hygiene. Anyone who wants to rehabilitate THAT man before history please consult Thompson's work.

Beyond the Nixon-related articles that form the core of the book there are some early pieces that are definitely not Gonzo-like. They are more straightforward journalism to earn a buck, although they show the trademark insightfulness that served Thompson well over the early part of his career. Read his pieces on Ernest Hemingway-searching in Idaho, the non-student left in the 1960's, especially the earnest early 1960s before the other shoe dropped and we were all confronted with the madness of the beast, unchained , the impact of the `beats' on the later counter cultural movements and about the `hippie' invasion of San Francisco. The seminal piece on the Kentucky Derby in 1970 which is his `failed' (according to him, not others) initial stab at "gonzo" journalism is a must read. And finally, if nothing else read the zany adventures of the articles that give us the title of the book, "The Great Shark Hunt", and his `tribute' to his friend the "Brown Buffalo" of future legend, Oscar Acosta. Those are high water marks in the great swirl of Hunter S. Thompson's career. Hunter, I hope you find the Brown Buffalo wherever you are. Read this book. Read all his books."

25 of 26 people found the following review helpful.
The Bible of Gonzo.
By Beeblebrox
Here's one book which collects, in scores of stories and articles spanning a few hundred pages, every facet of Hunter S. Thompson's career, in which he seamlessly transitioned from staid Air Force newspaper writer to roaming correspondent for the now-defunct _National Observer_ to edgy compatriot of the Hell's Angels to full-bore, drug-addled gonzo journalist. And everything inbetween, to boot.
Nowhere else is the richness of Thompson's talent so fully illustrated than in _Shark Hunt_. Here, in "The Kentucky Derby is Decadent and Depraved," a chronicle of the yearly madness in Thompson's hometown of Louisville, the reader experiences the earliest rumblings of what would later become a totally unique journalistic style that he further developed in "Fear and Loathing at the Super Bowl," also found here.
We are also treated to assorted dispatches from Thompson's travels throughout North and South America, written when he was a roaming correspondent for Dow Jones' _National Observer._ Here the true skill and power of Thompson's writing becomes apparent -- an observation both powerful and poignant when these writings are compared to his later works, making it clear that the drugs have indeed taken their toll on his remarkable mind.
For the new Gonzoist, excerpts are included from _Fear and Loathing in Las Vegas_ as well as _Fear and Loathing: On the Campaign Trail '72._ Through not very useful if you own these books already, they still make for fun bathroom reading.
Also included are most, if not all, of Thompson's articles for "Rolling Stone" about the Watergate scandal and Nixon's resignation -- truly rollicking political tales full of savage grace and fiendish wit. Sadly lacking are Ralph Steadman's original drawings which accompanied the stories in RS.
There's more, too: stories about the "Brown Power" revolts in Los Angeles in the late 1960s; tales of Oscar Acosta, Thompson's mysterious Mexican-American lawyer friend who was the model for the "300-pound Samoan lawyer" in _Fear and Loathing in Las Vegas; Thompson's experiences in Muhammad Ali's training camp; his bizarre times with Jean-Claude Killy and O.J. Simpson as they travel through America hucking Chevrolets at auto shows in the early 1970s.
These are indeed strange tales from a strange time. Buy this book.

0 of 0 people found the following review helpful.
Gonzo Lives!
By Robert W. Bly
If you have HST as I do, you will love this book, which is a massive collection of some of his best and most famous articles along with select excerpts from his books -- Gonzo journalism at its best.

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Feeding Hannibal: A Connoisseur’s Cookbook is a collection of easy-to-follow recipes inspired by the show and created by its food stylist, Janice Poon. Each recipe is accompanied by fascinating insider’s anecdotes, delightful artwork and revealing behind-the-scenes photos of stars and crew on the set of Hannibal.

• Sales Rank: #3389 in Books
• Published on: 2016-10-18
• Released on: 2016-10-18
• Original language: English
• Number of items: 1
• Dimensions: 10.30" h x .90" w x 8.20" l, 1.25 pounds
• Binding: Hardcover
• 240 pages

Review
“A deadly delight” - Nerdist

“If you were a fan of NBC’s “Hannibal,” you may recognize the name Janice Poon as she was the show’s incredible food stylist.  Now she has a new book...which of course landed on our “Best Books of the Halloween Season” list.” - Dread Central

“Feeding Hannibal is a terribly fun cookbook... Poon's approach is pragmatic and crowd-pleasing. It's doable, and that's the most exciting thing about Feeding Hannibal.” - Birth. Movies. Death

“Fans of the series have long marveled at how delicious the dishes featured in Hannibal appeared. Heck, even I’d been willing to nibble on some of those mouthwatering vittles! Well now we can with Feeding Hannibal: A Connoisseur’s Cookbook” - Horrorfreak

“From the protein scramble Hannibal gives Will when he shows up at his home, to a hunk of Eddie Izzards’ leg, Feeding Hannibal leaves no stone unturned as it gives readers the chance to recreate any and all meals they may have seen on the show." - Nerdophiles

“Each recipe isn’t just instructions, but ways in which the dish was used or featured in the TV show. That makes each meal richer and more interesting." - Adventures in Poor Taste

"would make any serious gourmand mad with envy" -- Fangoria

“Cheekily written...a great looking cookbook with fantastic food photography and plenty of fine dining recipes” - Entertainment Buddha

“An incredible book" - Fangirl Nation 

 “A damn fine coffee table book with which to freak out the in-laws” - Pajiba

“Feeding Hannibal is a must for every kitchen or coffee table” -  Coming Soon

“Sure to enhance any Halloween supper party” - Inside The Magic

"From start to finish, Feeding Hannibal is darkly beautiful, charming, and inspiring" - Project Fandom

“From start to finish it’s just a fantastic book” - Pixelated Geek

About the Author
Janice Poon is a world-renowned food stylist and writer. Her eclectic career in design spans magazines, wedding dresses, jewellery, sculpture and fragrances. She is an award-winning graphic novel author and currently the food stylist on the critically acclaimed NBC show, Hannibal, which spawned her popular behind-the-scenes blog, ‘Feeding Hannibal’. Janice lives and works in Toronto, Canada.

Most helpful customer reviews

10 of 10 people found the following review helpful.
Shattered chocolate tea cups and pinwheel cookie people
By Lucy Kusanagi
An exquisite book full of delicate, high end, and delicious treats. This is not macaroni and cheese dressed up for a show, this is sea urchin and shattered tea cups for those who delight with bloody and insatiable jokes and palates.

While quite a few of the recipes are rather high end, and require sometimes difficult and expensive ingredients, it is simply to be expected (who amongst us can casually get and cook a suckling pig, after all?). But, on the other hand, quite a few of the recipes, most of them I would say if you have a good butcher in the area, while extravagant and most likely not fit for a quick meal after work, are easy to whip together for a lovely weekend dinner party. There are even a few vegetarian recipes for those of us who know people who prefer a lighter affair.

The book is not just all recipes. No, no it is not. There are wonderful illustrations, and quite a bit of information on how to present the delights to perfection as well. Shattered teacups and pinwheel cookie people and all.

If you loved the show, this book is for you. It is, truly, feeding Hannibal.

3 of 3 people found the following review helpful.
The Perfect Accompaniment
By DocNickie
Janice is a treasure. This cookbook is just as beautiful and ostentatious as the show. And all the little behind the scenes stories are an incredible bonus.

0 of 0 people found the following review helpful.
this book is beautiful. The pics are beautifully well lit and the ...
By J
Whether you were a fan of the show or not, this book is beautiful. The pics are beautifully well lit and the food is perfectly displayed. You'll be happy to know that if you are NOT a cannibal, they've given you (relatively) normal carnivorous substitutions that can be found in most butcher shops. Most of The recipes, though definitely challenging, can be performed by most amateur chef's. Though don't be fooled, these aren't going to be your simple 30min meals. These recipes require some serious time dedication. A beautiful book. I only hope that the show returns so that we can see more of these beautiful works of culinary art come alive (get it?) on the screen.

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