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A novel featuring Phaedrus, the mythical alter ego of Pirsig's "Zen and the Art of Motorcycle Maintenance". It is the story of a clash of opposites - a catastrophic-comic encounter between the philosophizing, introspective Phaedrus and the outgoing, sexually aggressive Lila.
- Sales Rank: #204677 in Books
- Published on: 1992-10-22
- Original language: English
- Number of items: 1
- Binding: Paperback
- 480 pages
From Publishers Weekly
Seventeen years after the publication of his still-popular road story/philosophical meditation, Zen and the Art of Motorcycle Maintenance , Pirsig offers another lengthy and absorbing investigation of how we can live well and rightly. Phaedrus, the one-named narrator "who had written a whole book on values," is sailing down the Hudson River when he meets Lila Blewitt, an unapologetically sexual, psychologically unstable woman whom a mutual friend warns him against. But Phaedrus is drawn to her physically and interested in her intellectually, finding her "a culture of one" in whom he discerns an unexpected "Quality." Sailing with him to Manhattan, where her mental state deteriorates further, Lila prompts Phaedrus to explore conflicts of values like those between Native Americans and Europeans or between the insane and the normal. Finally, after years of struggling, he formulates his "Metaphysics of Quality" which offers a system of understanding--and evaluating--actions according to a hierarchy of four evolutionary realms (natural, biological, social and intellectual). Though Lila's fate is left unresolved, Pirsig's wide-ranging philosophical explorations will provoke and engage readers.
Copyright 1991 Reed Business Information, Inc.
From Library Journal
Pirsig's newest work continues in the same philosophical vein as his earlier books, Zen and the Art of Motorcycle Maintenance ( LJ 10/15/74) and Guide book to "Zen and the Art of Motorcycle Maintenance" ( LJ 10/15/90). Lila is a novel-cum-philosophical tome that wrestles with the issues and problems of life in the Nineties. Phaedrus, the principle character, is a writer grappling with his latest treatise, the "metaphysics of Quality." Lila, his aging and desperate wharf-bar pickup, provides the right amount of antagonism and criticism to hone his ruminations of life and civilization to something understandable and real. Pirsig has some fairly interesting ideas, but his evasiveness in defining his version of "quality" early on may lose some readers. His transition from the novel format to the philosophy lesson is uneven and distracting at times. However, his observations lead to some surprising revelations. Readers familiar with his earlier work will want this. Recommended.
- Kevin M. Roddy, Oakland P.L., Cal.
Copyright 1991 Reed Business Information, Inc.
From Kirkus Reviews
Pirsig's absorbing second novel, appearing nearly two decades after Zen and the Art of Motorcycle Maintenance, continues where his former work left off--in an exploration of the Metaphysics of Quality set against a journey by sailboat to the Atlantic Ocean. Phaedrus, peripatetic author of a successful book about motorcycles, is once again on the road in this philosophical odyssey--or rather on the Hudson River, as he makes his way toward the Atlantic and, eventually, Florida. His initial goal was to isolate himself sufficiently to complete his second novel, which currently consists of hundreds of notes that he regularly reorganizes and stores in rusty card-catalogue drawers. But isolation is the last thing a sailboat captain experiences on the water, Phaedrus discovers, and it's just as well, because his encounters with Lila (an aging former prostitute), Richard (her childhood friend), and assorted others along his journey inspire even more exciting concepts for his philosophical book. Chief among these is the concept of ``quality'' or value, which Phaedrus posits as the basic organizing principle of the universe. Shifting away from the Western world's reliance on subject-object and cause-and- effect relationships, Phaedrus suggests that everything is instead an expression of more or less quality, and that evolution moves not toward survival of the fittest but toward higher forms of value. While Phaedrus teases a ``scientifically-based'' morality out of this concept (lower forms of quality, such as individual humans, should be sacrificed if necessary in favor of higher forms, including society and, even higher, ideas), Lila begins exhibiting psychotic behavior and Richard becomes increasingly irritated with Phaedrus' abstract, self-absorbed pose. Readers may occasionally feel the same irritation--scenes that advance the plot seem carelessly scribbled in the author's hurry to get back to his theory--but as ever Pirsig's provocative ideas far outweigh such drawbacks. Engrossingly, utterly Pirsig--fans will not be disappointed. -- Copyright ©1991, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
1 of 1 people found the following review helpful.
Lackluster Lila
By BlasterMaster
"Lila" was a disappointment, following Pirsig's monumental success with "Zen and the Art of Motorcycle Maintenance" (ZAMM). We sadly
recall how his son was murdered in San Francisco, at the end of the motorcycle trip they took together in ZAMM, forever leaving unresolved the issues that came between a father and a son. Pirsig was so disillusioned with the pervasive violence in American society, he relocated abroad and lives on a boat with his wife in Europe. This is the background for "Lila" and explains why it is such a disappointment: it was written by a man still reeling with grief and suffused with anger at the senseless death of his son.
Gone is the introspection and soul searching of ZAMM, the attention to mechanical detail and the zen of solving problems using quality. "Lila", like ZAMM, also describes a journey but it is one of personal pain and grief, taking place on water rather than asphalt. But writing from a source of grief limits Pirsig's expression and insight as his energy is directed towards emotional healing, to over coming the numbness and detachment that follows the loss of a loved one, especially a child.
I look forward to his next literary effort when both time and physical distance has allowed him to recover and knit together his creative and emotional components, allowing him to regain the perspective that thrust Pirsig among the ranks of uniquely American literary "giants" like Steinbeck and Kerouac.
1 of 1 people found the following review helpful.
A pretty spectacular "failure"
By wEEpstah
Lila is the second of Robert Pirsig's books and was widely considered a disappointment when it came out. Part of the problem with this is that is lacks the character driven narrative of father and son the weaves throughout Zen and the Art of Motorcycle Maintenance. It also lacks a satisfactory ending to the story compared to Zen - and the characters, from Phaedrus and Lila all the way down are far less likeable. In many ways, Lila was a story - as a novel - that could never live up to the impact that ZAAMM has had on so many people. It's much colder and so much more analytical.
Having said that, Lila should be approached from a different perspective. It was never meant to be a ZAAMM kind of story and is not a novel that is going to provide a satisfactory summing up. But if you take the time to read and re-read it, and if you agree with Pirsig's philosophical theories...it becomes quite compelling. It provides a framework for better understanding the role that "Quality" - which is not definable via language - can play in a world dominated by scientific reason.
If you enjoyed Zen and the Art of Motorcycle Maintenance but were disappointed with Lila, I encourage you to give this enquiry another chance.
1 of 1 people found the following review helpful.
A jewel well hidden
By Jack S Rauh
Only a few times in a lifetime does one find a book that actually means something. In his two novelosophies, he has completely and forever altered the fundamental assertions of science, by showing how flawed the scientific method is. He has undercut 125 years of anthropology by clearly demonstrating that the refusal to allow value judgements even when coming from THAT culture's value system is nonsense. The fact that the metaphysics of value would have been our value system except for an accident of history in ancient Greece is very well detailed.
Don't read my junk, but do go read BOTH of Robert Pirsig's books.
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