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A view of artistic development which argues that the Paris-orientated orthodoxy of modern art does not allow for achievements which, in the eyes of the author, can be fairly called major. Other work by the author includes "The Romantic Child", and "The Jeff Koons Handbook".
- Sales Rank: #1081577 in Books
- Published on: 1977-05
- Original language: English
- Number of items: 1
- Dimensions: 9.75" h x 7.00" w x .75" l,
- Binding: Paperback
- 240 pages
Most helpful customer reviews
13 of 13 people found the following review helpful.
a richly suggestive reading of modern art and its roots
By tim_farrington
I was moved to write this review mostly because the only other review of this wonderful book so far is a misleading two-star from someone who got a bad copy. This is definitely a five-star study of modern art, a sweeping but vividly detailed take on work from the late 18th century through the early 1960s. Robert Rosenblum makes it explicit from the start: he thinks we've been missing a vast and important aspect of the art of recent centuries by seeing it only through the window of "Paris," that is, the pictorial and formal concerns that run from Manet through the Impressionists and Cezanne, and Matisse, Picasso, and the surrealists. You can draw that line and come out at the abstract expressionism of New York as it blossomed in the late 1940s and 1950s, but Rosenblum in this book makes a strong and articulate case for a different lineage for many of those same New York artists, one that traces back to the sublime, spirit-haunted landscapes of Casper David Friedrich and J.M.W. Turner and is infused throughout with the passionate Romantic quest for glimpses of the divine in nature and in humans. It is an exhilarating consideration of various artists whose deepest concern was to approach the sacred through their painting in a time of general weakening of the sense that the Christian legacy was a viable tradition. You may agree or disagree with many of the fine points, and even find the overall thesis not to your taste, but this is a book that will freshen your vision, awaken you to neglected artists and works, and change and enrich the way you look at these artists along the way. The exhuming of the semi-abstract works of the neglected American painter Augustus Vincent Tack is practically worth the price of the book by itself. Be advised though, that in the paperback version I have, all of the (generously many) reproductions are relatively small and in black and white, and serve mainly as suggestions and motivation to seek out and study real quality reproductions and even, God willing, the works themselves in all their glory. This is not a coffee table book, it is a study meant to send you back to these works with new eyes, and I believe Rosenblum succeeds in this wonderfully.
0 of 11 people found the following review helpful.
Dissapointed
By Mark Rothko
I was so anxious to read this book after hearing a wonderful review of it, but the copy I received was dirty and old. I don't care to even touch it, yet curl up with it on a clold evening. I need to look for a better quality copy.
1 of 1 people found the following review helpful.
A great read with many visual examples for those interested in ...
By T. Webster
Rosenblum draws a clear and fascinating line from the 19th century Northern Romantics to the modernist painters of New York in the mid-20th century. A great read with many visual examples for those interested in the romantic and the Sublime in Art.
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